Celtic Knotwork Carving

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This Celtic knotwork carving was made from a single piece of oak. The base, or plinth, is also a solid block of oak, which gives it great stability.  It  was hand carved for a customer in Ohio, USA, who had visited Scotland and wanted a sculpture to go in his garden as a reminder of his travels.

He liked the design of another Celtic knotwork carving that I had made, but wanted a larger version. This is the larger version. The original design  had been  exhibited at the Royal Scottish Academy, in Edinburgh. It was also made from a single piece of wood, this time reclaimed Scots pine. The plinth was a very heavy block of granite, also reclaimed.

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Celtic Knotwork Column

The knotwork carving process

I started off by drawing the pattern on a prepared board of oak. I had to adjust the design a few times to get the best fit. When I was happy with the layout I cut away the outside of the knotwork with the bandsaw. I then shaped it carefully near to the drawn lines. After that I took away the waste wood leaving the rough shape.

The next stage was the fun part for me. I chipped and carved closer to the lines and tried to make the wood flow like a ribbon. You have to follow the grain of the oak and cut “downhill”. At this point I also used cabinet scrapers and sandpaper to get the finish I wanted. This can hurt the fingers a bit. Finally, when the pattern looks right and feels smooth, it is time for the oil finish. I gave it several coats of teak oil.

Lastly, when the knotwork was done, I made a plywood case with foam protection. This was a snug fit. I then shipped it to its new home in Ohio.

 

 

Pictish Carvings

 Pictish carvings have always interested me…

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Crescent and V-rod

Pictish carvings have always interested me, so earlier this year I carved some Pictish symbols in the style of  pre-Christian Class 1 stone carvings. The designs of the carvings were simply hand carved, or incised into the wood, in this case Wych Elm, with an oak base. The stones themselves usually have pairs of symbols together, and Class 1 stones are possibly re-used earlier standing stones.

I carved each symbol onto individual pieces of wood, rather than have them in pairs, which was quite common.  I would like to explore the different styles of these carvings further. The later stones  included borders, patterns and figures, as well as the symbols.

The mystery of the Picts

Although the meanings of the carvings are unknown, they are one of the earliest symbols of a cultural identity found uniquely in Scotland.

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Carved stone at Aberlemno, showing three symbols

Pictavia near Brechin and the Groam Museum in Rosemarkie are two great places to see original Pictish carvings and designs.

Of coarse, stones can still be seen at their original locations, like Aberlemno in Angus. Here, there are symbol stones and a Christian cross with symbols and a battle scene.

I think they are great places to visit and see these unique Pictish carved symbols.

Bannockburn Commemoration Carving

2014 is the 800th anniversary of the Battle of Bannockburn, a significant event in Scottish history, which inspired my carving

Commemoration of Battle of Bannockburn, 800th anniversary, Robert the Bruce, 1314,

Statue of Robert the Bruce, at Bannockburn

I was interested to find out if any of my ancestors had played a part in the battle, or the Wars of Independence in general. I started some simple research into my surname, Fyffe, which I already knew to be a part of Clan MacDuff.

In medieval times the head of Clan MacDuff was also the Earl of Fife. He was of ancient Celtic lineage with noble rights and duties, one of which was the honour of crowning the King of Scotland.

Duncan (III) MacDuff, the 11th Earl of Fife, was one of William Wallaces four leaders at the Battle of Falkirk in 1298. He was killed in the battle.

Duncan (IV) , the 12th Earl of Fife, was still a minor in 1314 and a prisoner under the tutelage of Edward I of England. Therefore he took no part in the Battle of Bannockburn. His two brothers , however, fought on. His sister, Isabella, crowned Robert the Bruce King of Scotland.

In November 1314 the English released Duncan (IV) . He immediately affirmed his allegiance to King Robert the Bruce.  In 1320 Duncan (IV) was first in the list of signatories of the Declaration of Arbroath.  I also discovered that the shield of Clan MacDuff and the Earl of Fife was a red lion rampant, on a gold background, similar to the ‘Scottish Royal Standard’ but without the red lined border.

A personal commemoration – a carving

A plan was beginning to form in my mind as to how I could make  a personal commemoration of the Battle of Bannockburn.MacDuff, Bannockburn anniversary, oak, carved, ancestry, Lion Rampant, Scotland, 1314, shield, clan, Earls of Fife,

By chance we were driving from Perth to Dunfermline via Oakley, on the Balgonar road into Saline. I  visited Scottish Wood for materials for a project I was working on.  It was a clear sunny day. From the hill road we could see Stirling and the Wallace Monument in the distance.  I thought of the Men of Fife making their way to battle and remembered my plan.

MacDuff Shield in progress, oak,hand carved,

MacDuff Shield in progress

At the timber yard I bought some oak boards for various carving projects. The oak came from the surrounding area in Fife. Nearby was  the ruin of MacDuff Castle, burned down by Edward I in 1306.

I decided my carving was to be the shield of Clan MacDuff and the old Earls of Fife.  How perfect for it to be carved from oak sourced near to MacDuff Castle, in Fife, by a modern member of Clan MacDuff.  I hope the ancestors smile and look kindly on my efforts. They fought and died for Independence. We only have to vote for it.

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MacDuff Shield, in full colour.